The Book Gulamgiri Was Wrote By
Jyotirao Govindrao Phule (Mahatma) was born in Pune,was a great social reformer. He dedicated his book Gulamgiri to the American movement to free slaves, he linked the conditions of the black slaves in America with those of the lower castes in India. This comparison contains an expression of hope that one day, like the end of slavery in America, there would be an end to all sorts of caste discriminations in Indian society.
the book gulamgiri was wrote by
Print and the Poor People:(i)Very cheap small books were brought to markets in nineteenth-century Madras towns and sold at crossroads, allowing poor people travelling to markets to buy them. (ii)Local protest movements and sects also created a lot of popular journals and tracts criticising ancient scriptures and envisioning a new and just future.(iii)Kashibaba, a Kanpur millworker, wrote and published Chhote Aur Bade Ka Sawal in 1938 to show the links between caste and class exploitation. (iv)The poems of another Kanpur millworker, who wrote under the name of Sudarshan Chakr between 1935 and 1955, were brought together and published in a collection called Sacchi Kavitayan. (v)By the 1930s, Bangalore cotton millworkers set up libraries to educate themselves, following the example of Bombay workers.
In 1855, he wrote a play Tritiya Ratna, which was an acerbic attack on the manipulations and the guile of the Brahmins. In 1869, he wrote Powada: Chhatrapati Shivaji Bhonsle Ka to arouse a feeling of self-respect among the low castes. The same year, Brahmanon Ki Chalaki and Powada: Shiksha Vibhag Ke Adhyapak Ka were published. The first was a commentary on brahmanical conspiracies and the second talked of the reluctance of the Brahmin teachers to teach Shudra and Atishudra students and of the corruption informing the education department. All these works, though important in themselves, only formed the backdrop of what was to follow.
Omprakash Kashyap has published as many as 33 books in different genres. The litterateur and thinker is well known in the field of children's literature. He has been honoured by the Hindi Academy, Delhi in 2002 and Uttar Pradesh Hindi Sansthan in 2015. Kashyap is a regular contributor to newspapers and magazines
I grew up in India living the reality of caste every day. Even so I had to learn, and unlearn, many things about caste while completing my two most recent books: the novel Ghost in the Tamarind, which narrates an inter-caste romance between a Brahmin man and a Dalit woman against the backdrop of powerful anti-caste movements in southern India; and a co-edited collection of academic essays on caste and life narratives.
Ananthamurthy was a towering national figure in India who wrote in Kannada. The novel, set in South India and written in 1965, is a devastating psychological study of the progressive dissolution of a respected Brahmin challenged in his orthodoxy. Samskara was translated into English by the renowned poet A. K. Ramanujan, and an acclaimed movie adaptation was made in 1970.
Published in 1988 in Marathi, this autobiography helped bring particular attention to the experiences of Dalit women. Pawar recounts her life over many decades including her childhood in a rural part of Western India, conversion to Buddhism, move to the great metropolis of Bombay, and involvement in the movement for Dalit emancipation. Among other things, the book, translated by Maya Pandit, powerfully registers the evolving nature of Dalit life and politics during the twentieth century.
This 1992 anthology, edited by a prominent Dalit writer, brought to national and international visibility the Boom in Dalit literature in Marathi. The book includes poetry, fiction and non-fiction (autobiographical writing as well as critical essays) by significant figures of the Boom like Namdeo Dhasal, Baburao Bagul, and Raja Dhale. A reader might do worse than start with this iconic collection that remains relevant twenty-five years later.